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Stop me if you’ve heard this before: The Bad Batch finds himself pitted against some kind of giant creature and running away from it. “Why,” growls Recker, the team’s strong man, “why is that so?” Always A huge monster?” It’s a funny lie, because in reality, with bad batch, there is almost always a giant monster. But it’s also a strange truth of the show at large.
bad batch has struggled to find a balance between telling a variety of standalone stories of the week (like, say, ragtag clones always finding a giant monster, no matter what their mission) and having a bigger deal with its title heroes. narrative.
That’s why, for the most part, the series and its characters feel largely stuck in place, even as the Empire’s continued rise encroaches ever further on the world and its surviving characters. clone wars-Omega (Michelle Ang) and the controversial Team Turncoat save for Crosshairs (dee bradley bakereveryone’s eternal voice star wars clone), the team is not really developed in character Beyond their initial introduction. Surely this is also the reason most interesting plot The series has evolved so far – like season one seeing young Hera Syndulla and the re-emergence of Ryloth’s resistance groups, or season two’s storyline being about the lack of social welfare for clones as the Empire moves towards its Stormtrooper program. Turns out – is, overall, it doesn’t involve batching at all. The series mostly keeps its pace in check, its content only barely advancing its world and characters as it distracts itself with another monster of the week.
that changes everything Third and final season—which returns today with a three-episode premiere on Disney+, the first batch of 15 episodes — though the giant monsters are definitely still there (in the first eight episodes provided for review, depending on your gigantism. There are at least five) range). Cohering around the fallout of that three-part premiere, which focuses on the captured Omega and Crosshairs themselves as they reconnect and endure their separate lives under the Empire’s mysterious cloning research facility. at Mount Tantis, bad batchThe final presentation takes a more serialized approach than its predecessors, cleverly piecing together plot elements that have flown in fits and starts in the show so far. It’s been a long time, and sometimes the show’s own frustrations with the past come to the fore, but as season three moves from one story to the next, everything feels like it’s focusing on a particular endgame. Coming together to concentrate – with potentially huge impact. We have come to know about both the characters during the course of the show wide connective world of star wars In these turbulent times.
Everything matters here, and not just in a quantifiable, wikiable “canon” way – it’s just that with this strict focus on its end game the myriad characters and stories at the nexus of Mount Tantis and the sinister Doctor Hemlock (Jimmi Simpson) are depicted together. There are stores beneath its peaks, bad batch Ultimately it feels like it’s using the time it has effectively. From big monster action sequences, to threads of characters coming to settle down as the batch deals with the loss of Tech in the climax of season two as well as the return of lost members, season three spends its first half serving begins to dig into its characters in ways they rarely have before, using the pressure cooker of its sweeping landscape to really screw over its characters, and find out where they stand in the long days after Order 66. How things have really changed. Once again, this is best done largely through the lens of Omega and Crosshairs, but this unexpected pairing not only brings out the best in themselves but also in the rest of the crew, making for something truly epic. Satisfying moments come given how much the episodic nature of the series has been scattered in the service of those characters in the past, with character actions that feel like earned payoffs.
And yes, there are some fun one-offs in these first eight episodes – a special highlight sees the Hunter and the Wrecker reluctantly teaming up. Fennec Shand (Ming-Na Wen) In a desperate quest for information – none of this necessarily feels “wasted”, either in distracting from the central plot or digging more deeply into its characters, all finding themselves repeatedly tantalizing and Weave into this single path toward the hemlock. It works, not just because it means we actually get to sit with our heroes and watch them grow and bounce off each other, but because it effectively raises the stakes for the season in a big way. Set on what really matters – grand in the scheme of things star wars myself, and bad batchIt has its place in the timeline, but it’s more important especially in terms of what it means to our heroes as people.
Where the show has previously struggled to make its most interesting world-building personally significant to the batch, season three ties the personal and galactic stakes together perfectly, keeping everything compelling as it ticks on from week to week. Is. It’s a reflection of a stronger, more confident show, one that feels like it’s finally ready to present the story it wants to tell with its characters and is laser-focused on doing so. Only time will tell whether the back half of the season will be able to effectively recognize the strengths of its front – but bad batch The stage is set for an incredibly satisfying ending to this chapter of star wars Animation if it sticks the landing.
Star Wars: The Bad BatchThe third and final season of begins streaming on Disney+ today, February 21, with a three-episode premiere.
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